About the opera Agrippina
Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel, from a libretto by Cardinal Vincenzo Grimani. Composed for the 1709-10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects the rivalry of Grimani with Pope Clement XI.
Handel composed Agrippina at the end of a three-year visit to Italy. It premiered in Venice at the Teatro San Giovanni Grisostomo on 26 December 1709, and was an immediate success. From its opening night it was given a then-unprecedented run of 27 consecutive performances, and received much critical acclaim. Observers were full of praise for the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including some from other composers. Despite the evident public enthusiasm for the work, Handel did not promote further stagings. There were occasional productions in the years following its premiere but, when Handel's operas fell out of fashion in the mid-18th century, it and his other dramatic works were generally forgotten.
Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel, from a libretto by Cardinal Vincenzo Grimani. Composed for the 1709-10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects the rivalry of Grimani with Pope Clement XI.
Handel composed Agrippina at the end of a three-year visit to Italy. It premiered in Venice at the Teatro San Giovanni Grisostomo on 26 December 1709, and was an immediate success. From its opening night it was given a then-unprecedented run of 27 consecutive performances, and received much critical acclaim. Observers were full of praise for the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including some from other composers. Despite the evident public enthusiasm for the work, Handel did not promote further stagings. There were occasional productions in the years following its premiere but, when Handel's operas fell out of fashion in the mid-18th century, it and his other dramatic works were generally forgotten.
